By Tim P.
An intro: I will be taking on assignments, tasks, or projects that will be... how should I put this delicately, feminine in nature. Obviously, I won't be breaking any new ground in the things I do, the
concept of men doing female things is hardly unique or even uncommon. However, I will be writing about them. Hopefully you'll be able to glean a small window into the mind of a straight male about the things you (the presumably female reader) do, just in case you were curious about what goes through the mind of a your boyfriend / husband when you drag him around to do your... delicately again, womanly activities. At the same time, I don't claim to represent all of menkind (damn you spellchecker, that should officially be a word), but I hope to bring some enlightenment. At the end of every task, I'll probably go drink some hard liquor,
smoke a cigar, and eat red meat while I watch Sportscenter, you know,
just to balance things out. For the first Boy Meets Girl, I will be doing a real-time "running diary" of the movie Beaches. (This idea was inspired by The Sports Guy on ESPN, who didn't invent it but certainly brought the idea, and its many uses, to my attention.) This is the 1988 vehicle starring Bette Midler and Barbara Hershey. If you haven't seen it before, don't worry you'll still be able to follow along. I tried to sum up the important scenes and make sure the narrative of
the movie (and my writing) flows accurately (if I was successful in
that, is a different question. And while I'm still in these parenthesis, if you have not seen it and feel like this is a spoiler, too bad, this movie came out 22 years ago, you had your chance.) Prior to this assignment, I had never seen the movie, nor knew of its existence. That's also precisely why I decided this format was best. It allowed me to watch the movie with a fresh set of eyes and hopefully, an open mind. Anyhow, please keep in mind these thoughts and opinions, however
cynical, wrong, or awesome they may be, are mine and mine only, and do
not reflect those of anyone else. Unless of course you thought the same when you were watching it, in which case, great minds think alike. I'd also like to preface this by saying I am by no means, a movie critic or reviewer. I am however, a critic of life (which makes no sense but I thought sounded good). Either way, I'll do my best to avoid making judgment or comments about
what was good or bad, and lean toward observations and opinions
(however wrong they may be). Okay enough parenthesis-speak. So with all that out of the way, here goes:0:01 Feels like I’m doing a DVD commentary right now.
Except instead of being involved or otherwise knowledgeable about this
movie, I’m using Wikipedia and imdb to check my references. Oh well.
0:05 “Touchstone Pictures” it reads. I remember that logo. Production company logos are all touched with fancy graphics and animation these days. I liked it when they were simple and quick. Back in my day, people had to use 14.4K modems to connect to the interweb. Yes you read that correctly, a max transfer rate of FOURTEEN POINT FOUR KILOBYTES. Kids these days have it easy. Okay, moving on.
0:20 Opening scene is a close up of a letter. Thought it was written in Arabic or something but it’s just in cursive.
0:26 Woah, its “a Bruckheimer/South production”. Could it be Jerry Bruckheimer? I have the right movie right? These are typical of thoughts that go through my head. Even when watching a movie named “Beaches” starring Bette Midler, I’m hoping it's related to explosions and action movies.
0:35 A Gary Marshall film. Just IMDB’d him. Did not realize he did Pretty Woman too. Also, forget my last comment, wrong Bruckheimer.
0:45 Music starting to come in, even sounds like the 80s.
1:00 First shot of people is Bette Midler singing a song. Her hair... I mean... wow.
2:00 She’s
sitting next to the piano guy who looks like a gentle non-violent
version of Det. Crockett in Miami Vice (the tv series, not the movie,
which we should all collectively agree NEVER HAPPENED).
3:30 She gets a message and is running off to the airport. What could it be?!?!? Oh the suspense. By the way her name is CC Bloom. For some reason, I chuckled when I heard it.
4:18 Hahahaha! Bloom says “Is this the modern world or what?” to which the airport lady says “That’s right, but even in the modern
world, planes don’t land in San Francisco when it’s foggy”. No clue why I found that funny.
5:01 Just found out this is based on a book.
5:25 Cue an opening-song-that-I-don’t-immediately-recognize-but-somehow-sounds-familiar starting a flashback scene.
6:05 A girl hanging out underneath some stairs just offered a girl who appears lost a drag on her cigarette.
6:16 The girl describes a hotel by saying “a bunch of fruits in monkey suits playing music in the lobby”. Woah there.
6:48 That’s CC Bloom as a young kid! And she's smoking! GASP! What a rebel.
7:26 Check out the outfit on Leona. My interest could not be more piqued.
7:56 She’s dying of “heat prostration”. I don’t know what that is, but it sounds like a bedroom activity native to Miami.
8:11 Kid Bloom refers to her mother by her first name. This girl is crazy. Also, really starting to like this Leona (the mom) character. Hope she gets more screen time.
8:25 Old guy sitting in an auditorium, smoking a cigar says “CC Boom? Sounds like stripper.” Up to now, that’s the line of the movie.
8:45 Kid Bloom in the middle of her song and dance for the old guy. Can’t help but wonder how she’d do on American Idol. By the way, I like how that sounds, Kid Bloom. Sounds like a good name for a rock band made up of adolescents. You're welcome.
9:08 Another old guy in a hat is sitting next to the cigar old guy. Kind of looks like a perv, but his bow tie makes me think otherwise. No perv would wear that, I just refuse to believe it.
10:30 Kid Bloom’s competitor does hand stands and flips in front of the American flag. She’s got talent AND playing the patriotic card? You lose, Bloom.
11:20 Kid Bloom is arguing with Leona. She could star in her own late night fitness video with the fits she's throwing.
12:52 Not much happening right now, they’ve calmed down and are going back to the Bronx. But not before Kid Bloom and Lost Girl take pictures and exchange addresses. Lost girl lives in Atherton.
13:33 Woah woah woah. They walk into a ritzy looking place and sit down at a table. Two kids who can't be older than 14 aren’t gonna get stopped at the door? My suspension of belief wall just got its first crack of implausibility.
13.:42 Finally someone comes over to address this. Wait a second... they let them stay just because she name dropped her daddy’s name?
14:33 Woah BUUUURN. Hillary (Lost Girl) tried to imitate Kid Bloom singing and Kid Bloom comes back with a “Hillary, don’t sing”. Ouch.
15:14 Some Aunt hands Kid Bloom some cash and tells her “it will keep you honest”. I don’t get it.
15:50 In case you haven’t noticed, it’s turning into a rich, pampered, but lonely girl bonding with a brash, but talented girl story. They’ve only bashed it over our heads for the past five minutes.
16:12 Kid Bloom hates her hair. Wonder if Adult Bloom feels the same. Also she’s reading a letter while riding a horse. That's crazy reckless.
17:09 Flashback moving forward into their adult years. Hillary is going to Stanford to become a lawyer. CC is still performing.
17:15 Voiceovers of them reading each others letters. Also I just thought of Bette Midler's ghetto name is she ever got one: B-Mid.
17:41 Uh oh. Hillary's turning into an activist, presumably in the Bay Area. Bloom is trudging along making ends meet in NY, brash as ever.
19:37 Thank goodness, it’s the end of the voiceovers of the letters... so far.
20:26 CC’s singing in an empty bar. If that’s not passion, I don’t know what is. Starting to like CC’s brashness too.
21:01 GASP! Adult Hillary’s here in NY!
23:40 CC’s loud. Hillary cries tears of happiness because she’s free of her old life.
28:02 Cinematic fast forward. CC’s doing birthday grams dressed as a bunny. What a coincidence she does a gram for someone who also happens to be a director! He sees her talent and invites her to an audition. Maybe it's my manly intuition (men have intuition too) acting up but the
way he looks at Hillary (she tagged along)...there's something going on here. Not to mention the way CC is looking at both of them. I smell trouble. We also find out Hillary’s an attorney for the ACLU, fightin' the man. Represent.
29:35 CC’s first acting role, a prison guard on death row. Starting from the bottom of the entertainer ladder. She also thinks the director “hates my hair”. I hate it too. Wear more hats B-Mid.
30:16 Some random guy just walks up and stands next to the pair at a laundry mat. They’re also playing cards, gin, while waiting for the laundry. Got me thinking. I used to play it a lot. What an underrated card game.
32:32 CC literally prances into Hillary’s workplace to tell her she got a part in a Broadway show, presumably a big deal.
Meanwhile her client, a poor woman carrying all her belongings, runs
out, scared from the excitement they are sharing. I hope she gets
help soon from someone else who cares.
34:15 Not afraid to say, I liked the number CC just did. Particularly the costumes of the background actors. Looked like what an invisible man would’ve looked like if he was a 60s Chicago gangster.
37:00 Director tries to hit on Hillary while CC looks on with a look of obvious jealousy. Comedy ensues, and by comedy I mean drama. Which for me is really the same thing.
39:40 CC comes home drunk, Hillary tells her she slept with the director, but shows remorse while CC gets angry about it. Thought CC was going to really blow up but no such fireworks. We also find out Hillary’s father is sick and she’s going back to SF. Of course the scene ends with “We’re friends, aren’t we?” Ding! Callback (to the scene when they were kids and have to leave each other)!
40:10 Here come the voiceovers while they go over each other’s lives. Hillary is dating a lawyer, CC’s career is on its way up.
42:40 Intriguing. Director asks CC out on a date. Also asks CC about Hillary for a second time.
45:45 The plants Hillary had asked CC to water are dying! Just like their friendship! May I have another helping of symbolism please? Hillary gets hitched to that lawyer. In turn, CC gets the director to marry her. Great line I intend to use, “I’m a womanizer, not a liar.” Hilarious. That’s followed by a great sequence where they do a quick city hall wedding. Right after the wedding kiss CC slaps him in the face and says “This is
the happiest moment of my life and I don’t ever want you to forget it.” Again, hilarious.
49:38 Another great number by B-Mid about tig ol bitties and how the brassiere was invented. (See how I did that, switching the beginning consonants around to make it sound funny? I used to do that a lot in my head. My favorite, for obvious reasons, is tig ol bitties. My second favorite? Pothole and hotpole. Don't ask.)
51:31Director
John walks in and sees former lover Hillary for the first time and it
looks like it could be something, but CC quickly interrupts their
moment. Hillary’s husband, Michael, watches on kind of awkwardly. Also, great thought went into both men’s names, John and Michael. The everyman’s names!
53:01 CC and Hillary are playing gin again, gee, that’s twice now.
56:10 They have an epic argument. Names are called, insults hurled. Their first. (Insert obligatory cat sound)
58:59 Beginning of more voiceovers. Since its going to take awhile, let me just say on a completely different subject, minty chapsticks are. the. bomb.
1:00:53 Is that a sighting of CC’s awesome mom?
1:00:55 It is. As spunky as ever.
1:02:33 Mom lays it on her and gives it to her straight.
I’ll paraphrase here, but she tells her 'you’re an attention whore,
that’s why she moved away and that’s no reason to break up with someone'. Word to your mother.
1:04:22 Director John and CC break up over where their careers are going. She’s on her way up and he likes it where he is. Not really emotionally attached to this relationship. Next please.
1:06:44 Uh oh. Hillary catches her husband with another woman. Two scenes, two breakups. She ends this one with “That’s my robe.”
1:14:52 CC’s career is in the crapper. They meet for the first time since their fight. Hillary wants to be BFFs again and CC resists at first. She relents. Jealousy was involved. Can I just say without judgment, female friendships are so complicated. I’ll never understand it. They’re BFFs again. Also it's revealed Hillary’s prego. The plot thickens!
1:16:32 Hillary’s obstetrician (had to look up spelling) also happens to be a fan of CC’s. What a coincidence.
1:18:34 As expected, Obs (short for obstetrician) and CC kiss and plan for a marriage. Will she really settle down?
1:21:02 That was fast. She’s leaving town because of a chance to revive her career. Except she leaves the job of breaking up with obstetrician fiancé to Hillary. Great rationalization here, “I didn’t know I was doing it, so it doesn’t count.” Gotta feel for the guy. Not cool CC, not cool.
1:23:04 Director John reappears. Revival came from him. Thank yous are shared.
1:24:10 CC and Hillary bicker in the operating room while Hillary prepares to give birth. Obstetrician reappears and they share a quick update (Obs is married now). CC faints, everyone ignores Hillary. I get the feeling this is supposed to be funny, but I guess I don’t get it. By the way CC’s hair in this scene is totally 80s.
1:26:26 Hillary’s kid is fine, Hillary is not. She’s always tired. CC’s career is on its way up again.
1:28:01 Quick scene with Hillary after she tips the doorman a wad of bills. What’s this for? It’ll keep ya honest. Wait a sec… that happened in the flashback scene! Also Hillary’s not looking so good.
1:29:04 Hillary collapses. If I was sitting in the theater, I can imagine the collective gasps. By the way, theres a cool 3 second establishing shot on top of Nob Hill in SF. I recognize it. I used to live a few blocks from there. I remember cutting my lip as a kid while playing at a nearby playground
and my mom, carrying me in her arms, running those few blocks home to
clean it up I remember this because she constantly brings it up. Memory association, what a strange thing.
1:29:10 Hillary looks pale in the hospital. She has viral cardiomyopathy. Just looked it up, it's real. It's basically an enlarged heart. Somehow I'm not surprised they picked this for the movie.
1:32:59 Hillary, Victoria (Hillary's kid), and CC decide to spend the summer at the beach house. Hillary originally wanted CC to come and help. She initially didn't want to but eventually agrees, after finding an
old picture of the film strip they took as kids in Atlantic City. Also, Hillary becomes downright dour and mopey.
1:37:40 Sorry some boring scenes in a row. They drive down to the beach house. Hillary’s kid and CC don’t exactly hit it off. Something tells me they will.
1:39:11 Hillary stresses about a picture of her mother’s hands after her daughter comments about how they have the same hands. I’m confused.
1:42:20 CC and Hillary’s kid start to connect and Hillary starts to get jealous because she’s sick and can’t really play with them. They also bicker about how she’s not living the rest of her life. At least B-Mid’s toned down the frizziness of her hair. Also, the first usage of “fuck” that I can remember in this movie. Woah there, let’s not go overboard. Yes, that was sarcastic.
1:44:12 CC watches herself doing an interview on TV in which she looks stoned. Also just noticed Hillary calls her daughter Puss. I think I’ll use that from here on out instead of Victoria.
1:45:31Card game. Gin. Again. Hillary is looking worse.
1:48:25 Puss finds her mom unconscious on the floor. She gets hysterical. CC drives into SF General Hospital. I recognize it even though this was shot in the 80s. Sorry no personal memory this time.
1:49:58 Hillary doesn't want to stay at the hospital and they decide to move back to the beach house for her remaining days. I have to say I admire that.
1:51:39 Hillary
shares one last moment with her daughter and CC, sitting in a lounge
chair watching the sun set behind the ocean with “Wind Beneath My
Wings” playing in the background. Something wrong with my eyes though. They keep secreting some sort of foreign salty substance. Probably just some dust in my eye. Stupid cliché scenes.
1:52:16 Still dusty in here. Geez I gotta vacuum in here.
1:54:44 CC asks Puss to live with her, it’s what Hillary wanted. She lists reasons why she’s not the right person, but Puss wants to stay with her.
1:58:54 This song sounds familiar. Oh wait, it’s the first song we hear CC sing when she was a kid in Atlantic City. She looks a little stoned singing this. Maybe it's just me.
1:59:54 And it ends with a shot of the photo strip they do as kids. “Well sure, we’re friends, aren’t we?” Aaaaaand roll credits.
If
you’re still here, thanks for sticking through this. It was a lot
longer than I anticipated but I hope you had as much fun reading this
as I had in writing it.
What a ride. The ending was obviously sad and the scene where she
spends her final moments was certainly heartfelt, if a little
cliched. A
lot has to be said about the two principal characters, Hillary and CC.
Not breaking any new ground here, but you really come away feeling for
them even though I didn't particularly think much of them throughout
the first half of the movie. Hillary was, yes admit it, a little
spoiled but certainly proved she had a good heart. CC spoke her mind,
for better or worse. But the main thing I took away from these two
hours of my life was the underlying reasons for their disagreements.
Every argument had a purpose, whether it was to let out festering
feelings about the other (their first in NY when Hillary's jealousy
boiled over), or to show the other what they're doing wrong (CC telling
Hillary to live life as if she's alive, not live it as if you're
dead). Sometimes it takes an argument or disagreement to really bang
home a point. Sometimes there's no other way for two strong-willed
friends, guy or girl, to connect other than on a level where honesty,
as much one doesn't want to hear it, is expressed. I suppose you can't
guarantee that every argument turns out well and in fact, most of them
don't. But it's the ones that turn out well where you look back and
say, that's where things changed for the better. Until next time,
peace.